Reviews:
"One of the finest songwriters in Britain"
,
"A quiet master class in emotional subtlety"
METRO
"Ghost In A Spitfire's
most potent weapon is Bruntnell's emotion-racked voice - a delicate
instrument worthy of cherishing"
THE SUN
"Radiant....exquisite...monumental"
UNCUT
Peter
Bruntnell follows up the gentle bliss of Played Out (a collection of
acoustic reworking of some of his best songs) and the apocalyptic bite
of Ends Of The Earth (Album Of The Week - The Independent) with Ghost In
A Spitfire - an album packed with the kind of songs that led Rolling
Stone to hail him as "one of England's best kept musical secrets".
Features contributions from
Eric Heywood (Son Volt)
Danny
Williams (Black Grape)
and
James Walbourne(Pernice
Brothers)
Recorded by
Jim Lowe (Stereophonics)
Although his tent
has been pitched in the Americana camp he's a very British songwriter
who on the evidence of this latest album and especially on tracks such
as Fear of Lightning has more in common with Teenage Fan club than the
likes of usual comparisons Neil Young and Evan Dando. Lyrically he's
never been tempted to stray from matters close to home and as a result
he's been praised for the succinct authenticity of his past five albums
and Ghost in a Spitfire is no exception - its very title betraying a
theme rarely found amongst his western peers.

The bulk of the songs were written by Peter and Canadian writing partner
Bill Ritchie before his recent tour of the UK with Kathleen Edwards and
the album was recorded by Bruntnell and Stereo phonics producer Jim Lowe
in a variety of locations: his own guitars and vocals were laid down at
his home in Devon while Mick Clunes's drums and former Black Grape
member Danny William’s bass were all recorded in a converted barn in
Yorkshire. In addition long time collaborator James Walbourne's lead
guitar were nailed in north London and Son Volt's Eric Heywood recorded
his pedal steel on Little Lorelei and Polar Bear Jail in his Shepherds
Bush hotel room while on a break touring with Minnie Driver.
Peter Bruntnell Singer songwriters are big business these days, but
don't make the mistake of lumping Peter Bruntnell alongside the likes
of whey-faced chart-botherer James Blunt. A New Zealand-born Brit with
an ear for lo-fi American country music, he is difficult to categories -
and a hell of a lot more interesting for it. Current album Ghost in a
Spitfire is his fifth, and he marries his muted sounds to lyrically
robust musings on English life and culture. And unlike some of his fey
contemporaries he deploys a full range of backing musicians, borrowing
talent from the likes of Black Grape, Son Volt and Stereo phonics to
create full-bodied songs. This live sound - honed over a decade of
touring - is where he really comes into his.
[CW]
LONDON NOW 05
Booked in Europe by
Bob Paterson Agency - Peter Bruntnell
“PLAYED
OUT” 2004
(Import Only)
Peter Bruntnell
“ENDS OF THE EARTH” 2003
Ends Of The Earth is available in
the US on Backporch Records, and is released in the UK on 10th March
2003
by Loose (VJCD139).
Peter Bruntnell has a
magnificent voice, a deep and mysterious personality and effortless
writing ability."
Oliver Gray, Amplifier magazine US
________________________________________
ENDS OF THE EARTH
- REVIEWS
"The country's most promising singer-songwriter."
The Independent
________________________________________
"Steeped in the honeyed
hickory grit of Gram Parsons."
UNCUT
________________________________________
"The most
exquisite chord changes and hooks imaginable."
Americana UK
________________________________________
"His most spiritual, most
keenly felt album yet."
LOGO
________________________________________
"Break the cycle, go out
and buy this." -
Rambles.net
________________________________________
"... a
real windfall." -
The Music Box
________________________________________
"The best thing to happen
to alt country..." -
MWE3
________________________________________
"Packed with tales of
heartache..." -
Blender
A bit like Nick Drake fronting Son Volt or maybe just the softer
side of Tom Petty, U.K.'s Peter Bruntnell is the best thing to happen to
alt country in a long, long while. Bruntnell's Back Porch debut
continues the sometimes darkly-tinged but always engaging, introspective
mood set on his critically-acclaimed venture NORMAL FOR BRIDGWATER.
Including a bevy of fan-favorite tunes, the album was recorded in London
with Bruntnell's band - James Walbourne (guitar), Peter Noone (bass),
Mick Clews (drums), and Eric Heywood (Son Volt, Alejandro Escovedo).
BLENDER.COM
A Neil Young–loving singer-songwriter whose fourth album is packed with
tales of heartache and pedal-steel guitar from Son Volt's Eric Heywood,
Peter Bruntnell is pretty much the definition of the American
retro-rocker — apart from the fact that he comes from the London
suburbs. That aside, this follow-up to Bruntnell’s acclaimed 1999 CD,
Normal for Bridgewater, should be catnip to alt-country fans left out in
the cold by Wilco’s newfound weirdness. In fact, opener “Here Come the
Swells,” four-to-the-floor rocker “Rio Tinto” and the maudlin “One Drink
Away” could all have been ripped from the pre-Summerteeth Jeff Tweedy
songbook. At times, Bruntnell’s soft, almost whispered vocals beat out
even Tweedy in the
www.peterbruntnell.com/eote.
html#americana#americanaheartbreak stakes.
Clark Collis
“NORMAL FOR BRIDGWATER” 1999
"Another album that sort of
fell between the cracks is called
Normal for Bridgwater, and it's
by an English singer named Peter Bruntnell. It took me about a month to
get that name straight: Bruntnell. It's kind of blue, folk-rock, a
little like the Byrds, a little like the softer side of Tom Petty.
Remember when you were a teen-ager? You'd have an album you loved to
listen to in your room on rainy Sundays. This is the grownup version of
that. Peter Bruntnell, "Normal for Bridgewater." If your record store
doesn't carry it, ask them to order it for you. One of the most
beautiful records I've heard in years, I play it over and over again."
Bill Flanagan, Senior Vice President of VH1
________________________________________
NORMAL FOR BRIDGWATER
Slow River Records (SRRCD 43)
NORMAL FOR BRIDGWATER - REVIEWS
"A true and beautiful gem."
-
The Independent
________________________________________
"... this fine collection of songs." -
Music Week
________________________________________
"...
another excellent album." -
TNT
________________________________________
"A man you don't meet every
day." -
BBM
________________________________________
"Wounded but defiant." -
New
Musical Express
________________________________________
"... another hugely accomplished album." -
Time Out
________________________________________
"I defy
anyone not to be moved." -
Mojo
________________________________________
"The entire
record is stuffed with beguiling delights." -
Uncut
________________________________________
"Peter
Bruntnell is the king..." -
Rock 'n' Reel
________________________________________
"Normal is anything but." -
Rollingstone.com
________________________________________
"Frequently brilliant." -
Associated Press
________________________________________
"... as unaffected as they come." -
The Onion
________________________________________
"... this
stunner exceeds..." -
St. Paul Pioneer Press
________________________________________
"... could offer a hint or two to American artists." -
Amazon.com
________________________________________
"Pick of
the week." -
Radio Digest
________________________________________
"...
the current reigning king of alt-country." -
Rockzines.com
________________________________________
Earlier CDs currently out of print –
Cannibal – Almo Records
Camelot in Smithereens – Almo Records